January 29, 2010

new show review: the deep end

As an avid television fan, I usually have an idea of whether or not I will like a new show. ABC's The Deep End (Thursdays at 8:00) has all the ingredients of what often constitutes a winner in my book. I'm a sucker for an ensemble cast and plots that combine both serial and case-of-the-week storytelling. As a bonus, The Deep End has some of my favorites like Tina Majorino (Veronica Mars, Napoleon Dynamite) and Matt Long (Jack & Bobby). All of that said, this one just didn't come together for me.

Sterling is a major law firm in Los Angeles with a new crop of junior associates. We start with the four new associates interviewing with Rowdy Kaiser the recruitment associate (played by the brilliant Norbert Butz, better known as the original Fiero from Wicked). The four are pretty predictable: Addy Fisher (Majorino) the awkward, wholesome hard worker with a heart of gold, Dylan Hewitt (Matt Long) the handsome do-gooder boy nextdoor, Liam Priory (Ben Lawson) the British cocky ladies man, and Beth Bancroft (Leah Pipes) the privileged over-achiever.

Cut to three months later, they're all fretting about "The Prince of Darkness" who we learn is senior partner Cliff Huddle (Billy Zane). He is married to fellow senior partner Susan (Nicole Ari Parker), and chair partner Hart Sterling (Clancy Brown) is returning after a long leave of absence due to his wife's illness, during which he left Cliff in charge.

As for the cases:

Cliff sticks Dylan with a pro bono case that Hart forced on them (because first day junior associates always get their own cases). It's a birth mother versus her mother-in-law who is suing for custody of her grandson (baby daddy died). Dylan defies Cliff's attempts to settle the case due to mother-in-law's local power and wealth, and does the right thing to restore custody to the mom. Aww.

Liam accidentally gives a prospective client the impression that he's Jewish, a secret that's only revealed when the client comes across a very un-Jewish part of his anatomy.

Addy tries balancing the demands of multiple senior partners getting arrested in the process. When she finally stands up for herself, Susan takes her on as a mentee.

Meanwhile, Beth is tasked with helping an old CEO hand over the reigns to a new guy only to find out he has Alzheimer's disease. She must decide whether to close the deal or reveal that the poor old man has no idea what's going on. She turns to her father for advice. A cut throat, rival attorney played by the wonderful Tom Amandes (Everwood, Eli Stone). In the end, Beth opts to screw the old man and makes the deal for the firm.

Through it all, we learn a little about the firm. Hart is taking the reigns back from an very reluctant Cliff who has steered the firm in a much more money-hungry and power-seeking (but also more successful) direction. Hart exerts his authority by showing Rowdy the recruiting associate the error of his recent ways and hiring a fifth first-year associate, Malcolm Bennett (Mehcad Brooks).

At one point, Cliff threatens to set Dylan on fire, throws a stack of paper at him, and tells him he will make sure he "never practices law again" if he doesn't make sure his client's 6-year-old son is given over to his grandmother. Oh, and he's having an affair with paralegal Katie. Sorry, I just barfed cliche.

In the end, Hart and Cliff agree to co-lead the firm. Beth gets it on with Liam in their office, Dylan gets it on with Katie in her apartment, and Cliff is on his way to get it on with his wife at a hotel, but not before dropping by Katie's apartment. And scene.

The problem is, I can't decide what I like and don't like. It's all so uneven. To me, a pilot's task is to introduce you to the characters and show you that they've got a story to tell. By the end of the episode, I was just left... blahh.

Despite all this, I decided to give the show a second chance with the next episode. Sometimes pilots can be tricky due to all the rewriting, network influence, etc. It was very evident that too many writers were involved - or seemed to be - because of the unevenness of the plot and characters. So...episode two. Plus, it's directed by Timothy Busfield, so how could I not?

Essentially, two cases and two love stories were presented. In the first case, Beth assumes second chair with Cliff in a faulty product lawsuit against Beth's high-powered attorney father (played again by Tom Amandes, who's underused here). Pipes was okay as Beth, but I felt thrown into her daddy issues with little background. An unevenly dramatic ending that I didn't end up caring about. The second case involved Addy accidentally taking on a medical marijuana clinic as a client. I really like Addy - probably my favorite character because Majorino plays her with such ease and authenticity - but this story line was completely lost on me. First, the clinic owners tried to pull a fast one on Addy by sending her a batch of marijuana in order to hide it from the feds. Then, Hart claimed the marijuana was his in order to protect the firm - but also to show his support for medical marijuana, I think? In the end, Addy figured out a way to get Hart's charges dropped and fired the client. I didn't understand the point of it.

As for the "love" stories, we learn Cliff not only had an affair with Katie but promised her a job at the firm. But she broke up with him and slept with Dylan. For fear that she would find out, Cliff told Susan about the affair. Susan then transferred Katie to their office in Montana. Got all that? Care? Neither do I. Although, judging by the inappropriately sentimental goodbye between Katie and Dylan at the end of the episode, I think the writers wanted us to care.

Second love story involves Liam's quest to relive his first kiss - a standard to which he holds every new woman. In an effort to help, Addy tells all the women in the office to kiss him throughout the day. Seriously, all day. All over the office. This is a place of business, is it not? I rarely get insulted by the way women are written on television, but this was both insulting and ridiculous. In the end, turns out Liam's dream kiss came from Beth, not that he would let her know that, and not that we care. Liam's character seemed to have potential, but again, I'm left with very little.

I'm disappointed because I could have used a fun new show, but looks like this just won't be it for me. It feels like they've taken everything that has worked in successful series past - Grey's Anatomy's torrid love stories, Boston Legal's quirky cases, etc. and tried to make something new - but it just ended up feeling like a recycled imitation.

January 23, 2010

new show review: human target

FOX aired the pilot of new action drama Human Target a few times this week as well as the second episode on Tuesday. The show will find a home on Tuesdays at 9:00 from now on.

This isn't really my kind of show - based on a DC Comics graphic novel and comic book series - but I'm giving it a look because I like Chi McBride (Pushing Daisies, Boston Legal). He plays Winston, partner to main man Christoper Chance played by Mark Valley. Valley seems to be the leading man who can never hold onto his own show - you'll recognize him from soaps, Boston Legal, and a brief stint on Fringe.

The two work as team - Chance is a private security contractor/body guard, and Winston is his business partner. Basically, Vance integrates himself into his clients' lives in order to protect them from a threat. His past is a mystery, which we expect will be revealed over time.


We meet them when they're hired to protect a woman who's in charge of a major public transportation project in California (fancy fast train). Someone tried to blow up her car. The train's maiden voyage is tomorrow, and Vance will need to tag along with her, posing as her interpreter in order to get the guy to reveal himself. Meanwhile, Winston helps gather and transmit info to Vance from the office.

In comes additional team member, hired gun Guerrero. He's played by Jackie Earle Haley (Rorschach from Watchmen). Vance wants to bring him into the job because of his coercive investigation expertise, but Winston has strong reservations. But he steps in to help in his own quirky, creepy way. He's interesting to watch on screen, but goodness is he funny looking.

During the process, Chance acts like some combination of Dr. House and Jack Bauer. He identifies a poisoned drink by the cubed rather than crushed ice cubes.

Vance's clever observations makes the killer think he's been caught. So, he pulls a bunch of emergency breaks, which, mixed with the speed of the train, will cause the who thing to explode. Naturally.

The fun begins when the killer tracks them down and chases Chance and his charge all the way down the train - Chance getting shot in the bullet proof vest a few times along the way. This also involves a pretty cool fist fight in an air shaft - must have been really cool/impossible to shoot.


In the end, Chance does his part to protect train lady from the assassin (really tough fight - effects are pretty cool), then comes back to warn everyone of the impending train explosion. Train lady saves the day with her knowledge of the train. She loads everyone into last car, which has backup breaks. In an unfortunate twist, train lady's husband tries to trap her and Chance out of the breaking car. The coolest part comes when Chance rigs a harness system and uses the wind force to para(shoot) them straight out of the train.

Guerrero does his part to solve the underlying mystery behind train lady's death threats. Turns out, she had an affair and the husband wanted her dead for the train building bonus money. There you go kids, cheaters never win. In a bizarre sentimental moment between Chance and train lady - complete with Casablanca-style music - he takes her wedding rings as payment. I didn't understand it.

During the last scenes, Chance flashes back (or forward?) to guarding Danny Glover and blowing up a car. This is either a mystery that will unfold or a preview of next week's episode.

As a leading action man, Valley is good but not great. Not yet anyway. He definitely has potential, but is coming across a little too stiff. He will need to show a more humanism for viewers to get attached and root for him. Winston and Guerrero are fun to watch, but it's still not clear what Winston actually does.

With all the returning and new television on this spring - not to mention the Olympics - I think I will skip this one. But if anyone has a strong argument for keeping it on the DVR, post in the comments!

January 22, 2010

see you later, conan

It's a sad night. I've stayed out of the back and forth about Conan/Leno/NBC over the past few weeks. Though, I've made no secret of my feelings about NBC's decision to broadcast The Jay Leno Show in the 10:00 hour. For me, those feelings are more about my preference for good dramatic and comedic scripted programming during that hour. I was worried that this move signaled a bigger shift for television - one that's been happening over time for the past 10 years, a shift away from quality scripted programming on the major networks.

For all the resources (though dwindling) and talent surrounding NBC, there's so much potential. The decision to keep Jay on for fear of losing his audience came at the cost of good programming, and more importantly tonight, at the cost of a really good late night television host.

A lot can be said about the poor business decisions made by NBC in the past year or so. Their indecision and lack of confidence that kept Jay in a slot that didn't end up pulling the right ratings and also impeded Conan's chances. NBC made one huge mistake - they underestimated the intelligence of the audience. Sure, we're numbers, sure that translates to dollars. But they forgot that we're also a collective brain, a brain that can be influenced by even the slightest move. They failed to recognize or take advantage of that. Most of us saw keeping Jay as a lack of confidence in Conan, and for those who weren't familiar with Conan's Late Show, his hands were tied from the beginning.

All of that said, this situation made for some of the best late night television in recent years. Great performances on all networks taking advantage of this comic gem - Jimmy Kimmel dressed as Leno for an entire episode? Genius.

Not to get mushy, but Conan's final words summed up why I write this blog. There's a lot of cynicism about what "watching TV" means. Some may say television is a lesser medium, one that fails to stimulate your brain or inspire creativity. Others just look down on it from the high horse. Many others are caught up in talking about how modern television is doomed. I couldn't agree less. I love television, and I embrace that. Watching the award shows over the past couple of weeks, showed me just how much talent and creativity is streaming into this medium - perhaps now more than ever. So, I'm going to continue celebrating it on this here blog.

Mr. O'Brien:

"All I ask is one thing. And I'm asking this particularly of the young people who watch. Please do not be cynical. I hate cynicism. For the record, it's my least favorite quality. It doesn't lead anywhere. Nobody in life gets exactly what they thought they were going to get. But if you work really hard, and you're kind, amazing things will happen. I'm telling you, amazing things will happen."

"Tonight we're going to have a lot of fun on television. That's what we're going to do."

Thanks for a great show Conan, I'm sure we'll see you later.

hope for haiti now

Tonight's telethon was an amazing event. I know there are so many humanitarian emergencies and crises going on in the world, and those deserve our attention every day, but we often lose sight of that. Hopefully, the generosity shown tonight will be a reminder for the people in Haiti and all over the world that people do care.

That said, Jennifer Hudson (she looks amazing!), Christina Aguilera, Justin Timberlake/Matt Morris, and Jay Z stole the show for me.

www.hopeforhaitinow.org
www.oxfamamerica.org

January 18, 2010

what to watch this week

I've been out of the loop for a few days, but there's still a lot to look forward to this week on television. Sometimes, a little escapism is just the ticket.

Here are some highlights of what's premiering and returning this week:

Monday
  • All the regular shows are back, including Chuck. Watch Chuck!
  • New series Life Unexpected is premiering on CW. Look for a review of the first episode coming up this week.
  • 24 continues its 2-night season premiere on FOX.

Tuesday

  • American Idol auditions continue with Chicago.
  • Southland continues on TNT with the second episode of the first season. I'm not going to tune in until the new episodes begin, but this is a good way to catch up if you haven't watched before. It's worth a look.
  • White Collar returns from the break on USA. Anyone else dying to know what's going on with that suspicious cliff hanger?

Wednesday

  • American Idol auditions continue in Orlando.
  • Did anyone watch the new season premiere of Leverage last week? Check it out. It's still one of my favorites.
  • New series Human Target premieres on FOX. You may have seen the "preview event" on Sunday night, which is repeating on Tuesday. An hour-long action drama about a unique private contractor/security expert/bodyguard who integrates himself into his clients' lives and eliminate the threat by becoming the human target. Not sure if I'm going to watch this one. Chi McBride playing the best friend is my only motivation.

Thursday

  • Vampire Diaries and Supernatural return on CW. I started to get into Vampire Diaries before the break, but I'm still only watching online. Thursday nights are too busy!
  • The Office returns with a potential buyer coming to check out Dunder Mifflin.
  • Burn Notice season premiere on USA.
  • New series The Deep End premieres on ABC. You may have seen one of the 1,000 previews - an hour-long drama about a batch of newbies at a law firm. As far as I know, it's only running for six weeks. Look for a first episode review later this week.

Friday

  • Dollhouse series finale on FOX. I never took to this one, but sorry for those who did. RIP.

Saturday

  • If you're not sick of award shows yet, the Screen Actors Guild Awards will air on TNT and TBS.
  • Also, US Figure Skating competition. Get ready for the Olympics!

Those are the highlights. Enjoy!

January 14, 2010

nbc's post-leno schedule

Although the fate of NBC late night is still unclear (the latest rumor says Conan's last night will be 1/22), the network just released the post-Olympic/post-Leno primetime schedule if you're interested. The overall lineup isn't stellar, but the the 10:00 slot seemed pretty easy to fill:

MONDAY
8:00 Chuck (already back with new episodes, loving the season so far)
9:00 Trauma (originally thought cancelled, this will be back from the dead beginning March 8)
10:00 Law & Order (returns March 1)

TUESDAY
8:00 The Biggest Loser (the ratings powerhouse already started the spring season)
10:00 Parenthood (finally premiering March 2, hope the 10:00 timeslot will help, not hurt)

WEDNESDAY
8:00 Mercy (already back with new episodes, still surprisingly liking the show more and more)
9:00 Law & Order: Special Victims Unit (repeats in this timeslot beginning March 3)
10:00 Law & Order: Special Victims Unit (back to its rightful home beginning March 3)

THURSDAY
8:00 Community (back with new episodes tonight - Jack Black guest stars)
8:30 Parks and Recreation (back with new episodes tonight - Will Arnett guest stars)
9:00 The Office (returns January 21)
9:30 30 Rock (back with two new episodes tonight, James Franco gues stars)
10:00 The Marriage Ref (new reality show, premieres March 4; sneak preview February 28)

FRIDAY
8:00 Who Do You Think You Are (reality show explores ancestry of celebs premieres March 5)
(Friday Night Lights will take over the 8:00 slot on April 30)
9:00 Dateline NBC (begins March 5)

SUNDAY
8:00 Minute to Win It (reality competition show premieres March 14)
9:00 The Celebrity Apprentice (premieres March 14)

January 12, 2010

how i met your mother's 100th episode

Last night was the 100th episode of How I Met Your Mother. While this series got off to a slowish start, I'm glad to see it has come so far. Many would say HIMYM's success is due to Neil Patrick Harris' resurgence/illustration of one of the funniest characters on television right now - and that isn't wrong. But the cast also works really well as an ensemble. Cobie Smulders - who we were all a little dubious about in the beginning - is shining these days.

I usually don't look to critique HIMYM because it's a fun show with quirky stories that's consistently entertaining. It's just good fun. So, for the 100th episode, I was perfectly happy to sit back and watch Barney's hilarious struggle between girls and suits. Some of the best comedy acting by NPH this season - hoping they'll use this as a showcase to the Emmy voters. The musical number was hilarious and brilliantly showed the talent of this guy - as well as the other characters. How about that conversational baritone from Marshall??

All of that was so fun, as was Robin's astute observation that hot female bartenders benefit from "circumstantial hotness." So very true. I'm going to say the same for those beer promoter girls who pass out tchotchkes and free beer at bars wearing tiny referee uniforms.

That said, my issue with this episode comes with my beef with the show overall. The problem of the title. On one hand, I love the How I Met Your Mother concept. The narration works really well for telling stories in a fun and different way - flashbacks, montages, etc. And the concept has worked well to keep the suspense going about Ted's love life.

The problem is, sometimes (like last night) it takes away from more than it adds to Ted's storyline. Some of the best Ted episodes were back when he was chasing after/dating Robin. Early on, we found out she wasn't the mother, but it was still fun watching Ted at his best - fighting for true love, which he's a complete sucker for. The later seasons brought more clues about the mother - yellow umbrella, etc. - to build anticipation. With the exception of Sarah Chalke's arc (which didn't really do much for me, or for Ted for that matter), all of Ted's potential love interests have been short-lived and seemed pointless as soon as we find out she's not the mother.

I would have loved more from last night's guest appearance by Rachel Bilson. She and Josh Radnor had great chemistry, but the story seemed rushed with not much pay off (save for a few tidbits about the mother). Stretching their story out a bit more would have given Ted more to do. Sorry, but I just don't get as much from his adventures with teaching and architecture.

I have faith that the showrunners have a great plan for finally introducing the mother, so I'll stop questioning the strategy. But I wouldn't mind seeing her now, rather than later, so we can see more Ted Mosby at his best.

For fun, here's a video of the making of "Girls vs. Suits":